We enter the citadel of Mycenae through the famous Lions’ Gate, because of the two lions above the entranceway, the first monumental sculpture in Europe (13th century BC). Immediately on to our right, we come to Grave Circle A, a royal cemetery in which Schliemann found six shaft graves, 19 skeletons, and the incredibly rich burial furnishings which made his discovery one of the great archaeological finds of all time. This is where Schlieman found the ancient mask, which he called “the Mask of Agamemnon” but turned out to be the face of an unknown king from a period 300 years earlier. That mask is probably one of the most recognized ancient artifacts in the world and is still unofficially known as “the mask of Agamemnon”.

The rest of the site is interesting if you know what you are looking at, so take the time to read the material available in guidebooks. A ramp and stairs lead up from the grave circle to the palace on the top of the hill; unfortunately, little remains of the palace except for a Great Court and a megaron (a room with a central hearth and inner columns). The view when you get to the top of the hill is spectacular. You are really commanding the valley all the way down to Argos and Nafplion. From here you can follow a path down the back of the site to the Postern Gate and the Secret Cistern, a pitch-dark tunnel leading down some 80 steps through the solid rock. We can then return to the Lion Gate around the north side of the hill.

Outside the city walls, and across the road from Mycenae is the  Royal grave or a treasury of Atreus,   which is one of the most impressive parts of ancient Mycenae. You walk through a passageway into an enormous bee-hive tomb dug into the ground. This is known as “a Tholos tomb” and this was the way the ancient Mycenaeans began to bury their dead after the 15th century BC. The size of this tomb is incredible, and the stones are so massive that it’s believed that engineers who built Egyptian pyramids must have served as consultants when the Mycenaeans began constructing these “treasuries.”

A second tholos near the grave of Atreus was excavated by Schliemann and is called the Tomb of Klytemnestra; it is one of the latest and most finely constructed of the tholoi. The third one is called the Tomb of Aegisthus. is much earlier and its roof has collapsed. Returning down the modern road about a km we come to the most famous tholos, the Tomb of Agamemnon; the half-columns, which decorated its doorway, are in the Mycenaean Room of the National Museum.

Do not leave the site without a visit to the museum of Mycenae. Of the jewelry found in the graves, some are displayed at the site’s museum and some in the Athens Archaeological Museum.

The myth of Mycenae  is the story of the Pelopid dynasty. Pelops, who gave his name to the Peloponnese (=Island of Pelops), had two sons, Atreus and Thyestes. Atreus, being the older son, became king of Mycenae but later he punished his brother, who had an adulterous affair with Atreus’ wife Europe, by forcing him to eat his two sons for dinner.

Atreus had two sons, Menelaus and Agamemnon, who married 2 sisters; Menelaus married Helen(the beautiful Helen of Troy) and Agamemnon married Clytemnestra. When Helen ran off with the Trojan prince Paris, Agamemnon and Menelaus became commanders-in-chief of the great expedition, which fought and won the Trojan War. When Agamemnon returned from the war, Clytemnestra was not overjoyed to see him; she had taken a lover (Thyestes’ son Aegisthus) and Agamemnon, who had earlier, at the beginning of the Trojan war, sacrificed his daughter Iphigeneia so that favourable winds would blow his fleet to Troy, now drove up to the palace with his new concubine, the Trojan princess Kassandra. Clytemnestra, therefore, invited Agamemnon to come in and take a bath; she gave him a garment to put on (with no holes for his head and arms) and while he stood there with this bag on his head, she killed him with three blows of an ax. Later Orestes, the exiled son of Agamemnon and Clytemnestra, returned to Mycenae and killed his mother to avenge his father; for his crime of matricide, he was driven mad by the Furies (mythic emblems of guilt) until finally, in the Attic version, he was acquitted at the first Areopagus trial, under the Acropolis.